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Excerpts chosen among a large repertoire of compositions for guitar and pianoforte that ideally embrace schools from all over the world in one single movement of universal dance. Ranging from the American Arnold to the Russian Kramskoi, from the South American Piazzolla to the Italian Iannarelli, from the XIX century’s Weber to the XXI century’s composers that have dedicated their works to the Trio.
Excerpts that, even in their diversity, we think can create a night were the rhythms, melodies and harmonies will melt in the fleetingness of the moment.
Like souls and women, those that we would like to keep among our fingers, those that liven our bodies up, those that live in our flesh, who blow gently in our memories like wandering echoes in our fantasies.
A graduate with full marks at the Fermo Conservatory, Andrea Vettoretti studied under Alberto Ponce at the Ecole Normale de Musique in Paris where he got the Diplome Supérieur d’Execution and the Diplome Supérieur de Concertiste. He attended many chamber music courses held by teachers of great international renown such as Mstislav Rostropovich, Alicia de Larrocha, Stephen Dogson, David Russel, Alberto Ponce. A winner of several national and international competiotions, he regularly plays in Italy, France, Switzerland, Mexico, Poland, Canada, Germany, Ireland, USA, in prestigious halls. He records for Rivoalto record company and Phoenix Classics and is the artistic director of the International Guitar Festival "Delle due Città" - Treviso Rome -
Corrado de Bernart graduated with full marks both in piano at the Lecce Conservatory and in harpsichord at the Rome Conservatory. In 1992 he graduated brilliantly in chamber music at the Accademia Nazionale Santa Cecilia in Rome under Felix Ayo and qualified as a chamber musicians at the Scuola di Musica in Fiesole under Dario De Rosa and Maureen Jones. He is experienced in performing and interpreting practice on period instruments and can pass from piano to harpsichord and fortepiano with eclecticism; he has an intense concert activity in Italy and abroad (Europe, United States, Middle and Far East). He has recorded for Rai, for the Vatican Radio and for Dynamic; his articles have been published by I.R.Te.M. (Istituto di Ricerca sul Teatro Musicale) in Rome and by U.T.E.T in Turin. He is the artistic director of the G.M.I. Orchestra and the president of the prestigious A.R.A.M. (Associazione Romana Amici della Musica).
Mauro Carboni, learns dancing at the Arte e Balletto Centre in Rome directed by Milena Zullo. His teachers are Milena Zullo, B. Baer, C. Wertenstain, G. Brown, C. Zoppolato, M. Ermini, E. Piperno. In 1996 he gets the diploma in Introduction to Dancing at the National Academy of dance. From 1996 to 2000 he works with the Arte Balletto company stably (first as a dancer then becoming assistant to the choreography and Company Master), he danced all Milena Zullo’s productions including: Medea (1989), Movimento (1991), Alimenti (1992), Due (1994), Capriccio (1994), Involo (1996), Indefinitivo (1997), Interrotto (1998), Virtù (1998), Lai degli amanti (1999), Ego madre, ego figlio (1999), Gravidanze (2000), Tra le corde (2003). In 2001 he becomes a dancer of the Balletto di Sardegna company directed by Paola Leoni, dancing choreographies of Dino Verga, Gabriella Borni, Guido Tuveri and Milena Zullo.
Performers:
Pianoforte, Guitar, 1 Dancer.