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...blend
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A rain of
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reviews
David Russell
Dear Andrea
Your recording of "World dances" is beautiful. I have enjoyed
each track immensely.
Your playing is precise and rhythmic for the dances and you play the melodies
with a lovely lyrical flow.
The warm and attractive sound which you have achieved complements well with your
interpretations.
My congratulations on this beautiful recording.
A six string virtuoso. Solid technical dominance and a clear embracing vision of
the pieces performed,... being able to cover a wide kaleidoscope of sonorous
nuances and simple, immediate phrasing, capable of exploring in depth the
expressive capacity of the instrument...
Gianluigi Gonella
JAEN - Spain
Festival Andres Segovia 2005
Magistral y caluroso el concerto di Andrea Vettoretti.
Iannarelli con un Tango espectacular, Castelnuovo con una Tarantella impresionante, y de Tarrega interpretando una magistral Jota.
espectacular concierto.
Guitart 2007
Tutta l'incisione di World Dances si fa apprezzare sia per la musicalità espressa da Vettoretti che per la grande resa strumentale. Uno dei maggiori talenti italiani della nuova generazione. Non possiamo far altro che fare nostri gli apprezzamenti che David Russell rivolge in prima persona allo stesso Vettoretti.
Gitarresymposion - Iserlohn
Andrea Vettoretti è stata la nuova scoperta del Festival di Iserlhon. Con Verve a provato la sua virtuosità brillando nel nuovo brano "Tango on the Clouds" che lo stesso compositore Simone Iannarelli gli ha dedicato. Brillava inoltre per il difficile e vistuosistico brano di Francisco Tarrega "Gran Jota" dove nelle variazioni ci sono praticamente tutti gli effetti tecnici che possono essere considerati una sfida per ogni chitarrista
"... the arrangements of Scarlatti were a delight, Pipo's simplicity more
refreshing and Castelnuovo-Tedesco's Tarantella very accomplished."
Douglas Sealy
Alberto Ponce
Andrea Vettoretti is a very fine
musician with a pleasant sonority coupled with a highly refined technique. This
Compact Disc promises a long career.
Alberto Ponce
Festival de Artes Escènicas - Spagna - Linares - 2006 - Juan Parrilla
Uno spettacolo di enorme bellezza con la totale complicità del pubblico.
Marian Rybicki
Without any doubt, Andrea Vettoretti belongs with the best contemporary young
guitarists. His Compact Disc confirms my opinion, the same sensitiveness, the
same technical dominance, the same perfect style which I recognised long ago.
Andrea Vettoretti is a complete artist, who will go a long way.
Acordes - Spagna - 2006
A las Exelentes qualidades interpretativas, se une la inteligente seleciòn de piezas que han hecho. Magnifico trabajo musical, se aprecia un elegante fraseo,una belleza sonora puestas al servicio de una gran musicalidad.
David Russell
The playing of Andrea Vettoretti has a beautiful intimate
quality in this recording which shows his deep understanding of the music
he has chosen. He gives us an insight to the studies of Ganesh Del Vescovo and
Stefano Casarini that raise their level of beauty to a high level.
Congratulations Andrea for this exquisite recording.
PLECTRUM 2004, Edoardo Farina
Ottimo lavoro "Reminiscenze" risulta essere obbiettivamente un'opera di sensazionalismi indefinibili e difficili da porre in collocazione la dove finisce il classico per lasciare il posto al moderno...un nuovo modo di interpretare musica.
Vettoretti does not disappoint expectations, exhibiting a clear and dense
touch... giving a persuasive and pearly timbre to the sound. At once
lively and sombre, the reading maintains itself agile and flowing,
unaffected by the technical difficulties encountered along the executed
pages. This disc will allow music lovers to know an interpreter who is
already more than a promise.
What hits you immediately listening to this recording is the beauty of the
sound, soft and warm, yet at the same time well defined, covering the
proposed pieces, merit also of a beautiful Matthias Dammann guitar which
seconds
perfectly to the interpreter's intentions. The recording breathes a serene
melody, starting from the Scarlatti sonatas in the opening, a melody which
drives also the playing of Giuliani's op15, performed with a masterful and
soft melodic feeling, paying attention principally to highlight the
multiple expressive underlining that the piece suggests.
The recording closes with Ponce's Sonata III portrayed with telling light
and shadow movements and natural expression.
GLI AMICI DELLA MUSICA, 2004
Ottimo lavoro "Reminiscenze", ...supportato dall'ottima esecuzione di Vettoretti.
GUITART 2001
Andrea Vettoretti has displayed an excellent articulation and clean
phrasing which have become the way to formulate interpretative choices of
unchanging clarity of style and a refined expressive taste.
MUSICA E SCUOLA, 2004
un nuovo talento emergente, ..ottimo lavoro Reminiscenze.
Andrea Vettoretti presents a recording dedicated entirely to the sonata
and it's formal delivery. In the serious flow of executions, based on a
plain and linear expression, one can appreciate the sweetness and the
quality of the sound.
With a listening delight he close the program with Ponce's sonata III,
continuing the dreamy mood which characterises the entire disc, including
the unexpected encore to the notes of a Chopin prelude.
Virtuoso and full of joy with Giuliani. Scarlatti’s sonatas were very much appreciated, while sonata n. III was one of the most demanding. In Tarrega the sonorous changes were very charming. All pieces were of incredible skill with the guitar and it was a pleasure for both the ears and eyes to listen to Andrea Vettoretti’s rendering. Many encores requested by the delighted audience due to the highly melodious Vettoretti’s rendering.
An absolute first class performance. The rendering of Scarlatti found great admiration for its perfect polyphony, Vettoretti, who did not leave any wish unfulfilled, played Giuliani’s Sonata op. 15 in a musical perfection. Together with his pleasure for the guitar, it was surprising Vettoretti’s calm and the expressive strength in the adagio. It was striking in the same way M. Ponce’s Sonata III. The Tarantella by Castelnuovo – Tedesco was thrilling, while the demonstration of the countless timbres and tone colours in Francisco Tarrega were absolutely charming, you could only be surprised by Andrea Vettoretti’s virtuosity.
Casarini’s etudes are all very short and incisive. They are in many cases innovative. Their performance is assigned to Vettoretti who proposes a delicate and punctual interpretation.